Weaving Sounds / The Multi-instrumentalist | Brian Jones, 1942-1969

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Brian Jones

 
Brian Jones was an English musician, best known as founder and the original leader
of the Rolling Stones. Initially a slide guitarist, Jones would go on to play a wide variety of
instruments on Rolling Stones recordings and in concerts, such as rhythm and lead guitar,
various keyboard instruments such as piano and organ, marimba, harmonica, sitar, wind
instruments such as recorder, saxophone, oboe, and numerous others.
 
Brian Jones plays harmonica
 
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Brian Jones and Keith Richards developed a unique style of guitar play that Richards refers to
as the “ancient art of weaving” where both players would play rhythm and lead parts together
without clear boundaries between the two roles.
 
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Brian Jones, 1965                                                                Brian Jones, Ian (Stu) Stewart, c 1965
 
Brian Jones was a talented multi-instrumentalist, seemingly at home on any musical instrument.
For many Rolling Stones tracks prior to 1969, for any instrument except the standard rock
instrumentation of drums, guitars, piano, or bass, Jones would be the one playing it.
 
Brian Jones played harmonica on many of the Rolling Stones’ early songs.
 
Examples of Brian Jones’ contributions are his slide guitar on “I Wanna Be Your Man”,
“I’m a King Bee”, “Little Red Rooster”, “I Can’t Be Satisfied”, “I’m Movin’ On”,
“Doncha Bother Me” and “No Expectations”.
 
Brian Jones can also be heard playing Bo Diddley-style rhythm guitar on “I Need You
Baby” and on “Please Go Home”, the guitar riff in “The Last Time”;
 
Weaving Sounds / The Multi-instrumentalist | Brian Jones, 1942-1969
 Ivan Keeman, Brian Jones on sitar
 
played sitar on “Street Fighting Man”; organ on “Let’s Spend the Night
Together”; marimba on “Under My Thumb”, “Out of Time” and “Yesterday’s Papers”;
recorder on “All Sold Out”; saxophone on “Child of the Moon” and
“Citadel”; kazoo on “Cool, Calm And Collected”;  on “Lady Jane”, Mellotron on “She’s a Rainbow”, “We Love You”, “Stray Cat Blues”, “2000 Light Years
from Home”, and “Citadel”; and the autoharp on “Ride On, Baby” and on “You Got the Silver”. 
 
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Brian Jones                                   the Rolling Stones

Brian Jones was able to develop a tune from the sitar in a short amount of time (Jones had had a background with the instrument as far back as 1961), largely due to his studies under Harihar Rao, a disciple of Ravi Shankar. Not long after a discussion with George Harrison, who had recently recorded sitar on “Norwegian Wood”, Jones arranged basic melodies with the instrument that, over time, morphed into the one featured in “Paint It Black”

Paint It Black · the Rolling Stones · 1966

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Jones purchased a dulcimer while touring the US with the Stones. He then commissioned
Vox to build him an electric version, which became the Vox Bijou.
 
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Brian Jones
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Brian Jones whistles and plays trumpet, trombone, and tuba
 
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Brian Jones plays mellotron, saxophone and oboe
 
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Brian Jones, 1967
 
The recorder is a woodwind musical instrument in the group known as internal duct flutes-flutes with a whistle mouthpiece, also known as fipple flutes.
 

The Rolling Stones – Ruby Tuesday – 1967
Brian Jones plays alto recorder and piano

Marianne Faithfull reported that Jones wrote an early version of the melody for “Ruby Tuesday” and presented it to the group. Victor Bockris reported that Richards and Jones worked out the final melody in the studio.

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 Brian Jones plays Appalachian dulcimer
 
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Brian Jones with his dulcimer
 
The dulcimer was first brought to his attention in March 1966 when Jones began
listening to recordings of Richard Farina.
 
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The Rolling Stones, Royal Albert Hall Concert,  Backstage, 1966
 

Peter and Gordon – You’ve Had Better Times – 1968
Brian Jones plays drums

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Brian Jones

The Beatles – You Know My Name (Look Up the Number) – 1967
An alto saxophone part, played by Brian Jones, was recorded on 8 June 1967,
released in March 1970, eight months after his death.

Brian Jones

Brian Jones

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