Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 1 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Ilse Bing Paris 1952](https://www.cocosse.com/wp-content/uploads/2024/04/Ilse-Bing-Paris-1952.jpg)
Ilse Bing, Paris, 1952
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 2 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Kiosk](https://www.cocosse.com/wp-content/uploads/2024/04/Kiosk.jpg)
New York, 1950s
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 3 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Andre Zucca Paris 1943](https://www.cocosse.com/wp-content/uploads/2024/04/Andre-Zucca-Paris-1943.jpg)
André Zucca, Paris, 1943
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 4 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Nina Leen Berlin 1953](https://www.cocosse.com/wp-content/uploads/2024/04/Nina-Leen-Berlin-1953.jpg)
Nina Leen, Berlin, 1953
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 5 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Paris in 1955](https://www.cocosse.com/wp-content/uploads/2024/04/Paris-in-1955-623x1024.jpg)
Paris, 1955
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 6 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Tel Aviv 1930s](https://www.cocosse.com/wp-content/uploads/2024/04/Tel-Aviv-1930s.jpg)
Tel Aviv, 1930s
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 7 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Carl Weinrother Berlin 1932](https://www.cocosse.com/wp-content/uploads/2024/04/Carl-Weinrother-Berlin-1932.jpg)
Carl Weinrother, Berlin, 1932
![Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s 8 Instant Views [o.] Kiosk | Photos by Ilse Bing / André Zucca / Nina Leen / Brassaï / Carl Weinrother, 1930s-1950s Brassai. La colonne Morris. Paris 1932](https://www.cocosse.com/wp-content/uploads/2024/04/Brassai.-La-colonne-Morris.-Paris-1932-754x1024.jpg)
Brassaï, La colonne Morris, Paris, 1932
Advertising columns or Morris columns (French: colonne Morris, German: Litfaßsäule) are cylindrical outdoor sidewalk structures with a characteristic style that are used for advertising and other purposes. They are common throughout Germany including its capital Berlin, where the first 100 columns were installed in 1855.
In France, the columns are called colonnes Morris after Gabriel Morris, a printer, who held the concession for advertising in 1868.
* In the film The Third Man, Harry Lime (played by Orson Welles) uses one of these columns as an escape route to the sewer system under Vienna.
Also:
Stereosc2pe + | The kiosk | Robert Doisneau / Jean Béraud
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