On directing > Pasolini taught me a lot | Bernardo Bertolucci (1941-2018)
Bernardo Bertolucci and Pier Paolo Pasolini near Rome during the filming of Pasolini’s first film ‘Accattone’, 1961 . "I found...
On directing >
On directing > There’s nothing besides the Rectangle | Pedro Costa, 1989-2014
Pedro Costa, Blood / O Sangue , 1989 ''There’s nothing besides the rectangle, everything comes from it, which isn’t meant...
How he is | Writings by Manuel Puig, 1932-90
Manuel Puig, Under a Mantle of Stars, 1983 Manuel Puig, Heartbreak tango (Boquitas pintadas), 1969...
On directing > Professionally I am invisible | Michael Haneke
Michael Haneke "As a private person, professionally I am invisible." "I consider all my films experiments. I consider all my...
On directing > Notes | Robert Bresson, 1901 – 1999
Robert Bresson “Make visible what, without you, might perhaps never have been seen.” “Bring together things that have not yet...
On directing > There is only the sea | Claude Chabrol, 1930-2010
Claude Chabrol, 1960 "First I went to the Sorbonne to do my licence en lettres, but I also started to...
On directing > Present / Rhythm / Form / Realism | Alain Resnais, 1922-2014
Alain Resnais "The present and the past coexist, but the past shouldn't be in flashback." "I am never driven. Every...
On directing > Intuition / Sense / Absurdity | David Lynch
David Lynch on set of The Elephant Man (1980) "Stories hold conflict and contrast, highs and lows, life and death,...
On directing > The glance | Victor Erice
Victor Erice, Dream of Light / El sol del membrillo, 1992, documentary “There is already fiction in the glance” "Everyone has...
On directing > The best director is the one you don’t see | Billy Wilder, 1906-2002
Billy Wilder and his favorite leading man, Jack Lemmon, on set of The Apartment, 1960’s "You have to have a...