Photographers [Oo] I am at war with the obvious | Photos by William Eggleston, 1960s-70s

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William Eggleston Untitled 1970 73

William Eggleston, Untitled , 1970-73

William Eggleston Untitled 1974

William Eggleston, Untitled, 1974

William Eggleston Untitled 1970 73 3

William Eggleston, Untitled, 1970-73

William Eggleston Southern Environs of Memphis 1969 70

William Eggleston, Southern Environs of Memphis, 1969-70

William Eggleston Mississippi 1970 73

William Eggleston, Mississippi, 1970-73

William Eggleston Memphis Tennessee 1965 68

William Eggleston, Memphis, Tennessee, 1965-68

William Eggleston Untitled 1970 73 2

William Eggleston, Untitled, 1970-73

William Eggleston Las Vegas 1967

William Eggleston, Las Vegas, 1967

William Eggleston Untitled 1980

William Eggleston, Untitled, 1980

William Eggleston The Red Ceiling Greenwood Mississippi 1973

William Eggleston, “The Red Ceiling”, Greenwood, Mississippi, 1973

William Eggleston Two girls 1973

William Eggleston, Two girls, 1973

William Eggleston Untitled 1970 73 1

William Eggleston, Untitled , 1970-73

William Eggleston Downtown Morton Mississippi 1970

William Eggleston, Downtown Morton, Mississippi, 1970

William Eggleston Untitled 1967

William Eggleston, Untitled, 1967

“I don’t think about what camera I should use that much. I just pick up the one that looks nicest on the day.”

“I never know beforehand. Until I see it. It just happens all at once. I take a picture very quickly and instantly forget about it.”

“I am at war with the obvious.”

“The way I have always looked at it is the world is in color. And there’s nothing we can do about that.”

“I want to be clear about something. The artist… if the thing is in that person to do, it will find a way out. Doesn’t matter where you plant it.”

“A picture is what it is, and I’ve never noticed that it helps to talk about them, or answer specific questions about them, much less volunteer information in words. It wouldn’t make any sense to explain them. Kind of diminishes them. People always want to know when something was taken, where it was taken, and, God knows, why it was taken. It gets really ridiculous. I mean, they’re right there, whatever they are.”

William Eggleston, 1939 –

Also:
Instant Views [o.] Polaroids | Wim Wenders, 1970s
Photographers [Oo] Modern Color | Photos by Fred Herzog, 1930-2019
Photographers [Oo] New Color | Photos by Harry Callahan, 1950s- 1980s

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